So, who needs this? That's not about the musical collective, but the choice of their musical style. It would be MUCH more natural and productive, in the material sense, for KUKRYNISKY to play something heartfelt like EAST 17 or BOYZCONE (believe me, there's nothing wrong with that- our stage will accept anything) or even SHAO? BAO!. What do they need punk-rock for, anyway? Well, more accurately, it would be called pop punk.
Will someone please explain- why do four young people play this game so methodically and so properly (they achieve this with the help of the drum machine from operator Nikolai Gusev)?
It's always easy to find an audience for cheap text. Love, tears, dreams, she left me for another, and on and on in that same tearful vein. It turns out that in spite of everything, they really have nothing to say. It's music running with the current, with "We'll be popular soon!" in the undercurrent.
# | Композиция |
---|---|
1. | Лунный свет |
2. | Это не беда |
3. | Не спеши |
4. | Уходящая в ночь |
5. | Сон |
6. | Долгой дорогой |
7. | Depeche Mode |
8. | Lie |
9. | Смех |
10. | На окраине Земли |
11. | Солдатская печаль |
12. | Невезучий |
Дата образования:
28 мая 1997
1984 – Австралия, наконец, получила собственный гимн. По итогам народного голосования песне Питера Доддса Маккормика "Развивайся, прекрасная Австралия" был присвоен статус национального гимна. До этого австралийцы довольствовались британским вариантом — God Save the Queen »»
Alexis KORNER (1928)
Alan PRICE (1941)
Bernie WORRELL (1944)
Mark VOLMAN (1947)
Andy SHERNOFF (1952)
Tony MARTIN (1957)